{"id":20738,"date":"2023-12-19T16:34:37","date_gmt":"2023-12-19T15:34:37","guid":{"rendered":"https:\/\/lokalmagasinet.no\/?p=20738"},"modified":"2023-12-19T16:38:16","modified_gmt":"2023-12-19T15:38:16","slug":"kunstens-dekorative-prinsipp","status":"publish","type":"post","link":"https:\/\/lokalmagasinet.no\/?p=20738","title":{"rendered":"Kunstens &laquo;dekorative prinsipp&raquo;"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-20741 alignleft\" src=\"https:\/\/lokalmagasinet.no\/wp-content\/uploads\/2023\/12\/image0026.jpg\" alt=\"\" width=\"266\" height=\"379\" srcset=\"https:\/\/lokalmagasinet.no\/wp-content\/uploads\/2023\/12\/image0026.jpg 266w, https:\/\/lokalmagasinet.no\/wp-content\/uploads\/2023\/12\/image0026-211x300.jpg 211w, https:\/\/lokalmagasinet.no\/wp-content\/uploads\/2023\/12\/image0026-105x150.jpg 105w\" sizes=\"auto, (max-width: 266px) 100vw, 266px\" \/>(Publisert 19.12.23) <strong>Gjennom n\u00e6rmere femti \u00e5r var Jens Thiis (1870\u20131942) en markant skikkelse i det kunsthistoriske milj\u00f8et i Norge. Han ledet flere av landets fremste kultur-institusjoner &#8211; samtidig som han hadde et omfattende faglitter\u00e6rt forfatterskap. <\/strong><\/p>\n<p>Med et skarpt blikk for kvalitet og elegant spr\u00e5kf\u00f8ring preget han den norske kunstdebatten i f\u00f8rste del av 1900-tallet.<\/p>\n<p><strong>\u00a0<\/strong>De siste ti\u00e5rene har norsk museumsvesen gjennomg\u00e5tt store endringer ved at gamle institusjoner har blitt sl\u00e5tt sammen til nye enheter.<\/p>\n<p>&#8211; I en slik overgangstid er det viktig \u00e5 unders\u00f8ke det historiske utgangspunktet for v\u00e5re museer. Thiis var en n\u00f8kkelskikkelse i norsk kulturliv gjennom et halvt \u00e5rhundre, og fikk avgj\u00f8rende innflytelse p\u00e5 flere av Norges viktigste samlinger og institusjoner, forteller fagredakt\u00f8r <em>Morten Spj\u00f8tvold<\/em>.<\/p>\n<p>Antologien presenterer mindre kjente sider ved den mangfoldige kunsthistorikeren og museumsdirekt\u00f8ren.<\/p>\n<p>ARTIKLENE HAR ET STORT SPENN:<\/p>\n<p><strong>Fra analyser av Thiis\u2019 utstillings- og innkj\u00f8pspraksis ved Nordenfjeldske Kunstindustrimuseum og Nasjonal-galleriet, til n\u00e6rlesninger av hans kunsthistoriske publikasjoner. Slik som hans hovedverk om Leonardo da Vinci og artikkelsamlingen <em>Fra Nilen til Seinen<\/em>.<\/strong><\/p>\n<p>&#8211; Det som har v\u00e6rt interessant i arbeidet med boka, er \u00e5 oppdage hvor relevant Thiis\u2019 oppfatning av kunsten er &#8211; sett i lys av viktige tendenser i dagens kunstfaglige debatt, sier fagredakt\u00f8r <em>Tore Kirkholt<\/em>.<\/p>\n<p>&#8211; Dette skyldes nok at han var opptatt av estetiske og kunstneriske problemstillinger som var aktuelle i sin egen samtid, og som teoretikere i dag har grepet tilbake til. Det gjelder blant annet dagens interesse for det materielle i kunsten, og forst\u00e5elsen av kunsten som noe som kan peke mot en \u00f8kologisk sammenheng, tilf\u00f8yer han.<\/p>\n<p>BOKENS REDAKT\u00d8RER er f\u00f8rsteamanuensis i kunsthistorie ved NTNU, Tore Kirkholt, og konservator Morten Spj\u00f8tvold ved Nordenfjeldske Kunstindustrimuseum. Andre bidragsytere er Dag Solhjell, Dina Dign\u00e6s Eikeland, Ellen Lerberg, Ingrid Halland og Tom Normann Nilsen.<\/p>\n<p>&#8211; Jeg tok i 2018 kontakt med Nordenfjeldske Kunst-industrimuseum i anledning museets 125-\u00e5rs-jubileum. Jeg ville h\u00f8re om de var interessert i \u00e5 ha et fagseminar for \u00e5 belyse Jens Thiis\u2019 betydning for museet. Og ikke minst hans innsats for \u00e5 l\u00f8fte fram interessen for kunst i Trondheim og resten av landet, sier <em>Tore Kirkholt<\/em>.<\/p>\n<p>&#8211; Thiis var museets f\u00f8rste markante direkt\u00f8r, og en sv\u00e6rt begeistret formidler av samtidens kunst. Museet ville gjerne v\u00e6re vertskap for et slikt seminar, og h\u00f8sten 2018 deltok flere fagfolk med spesiell interesse for Thiis\u2019 faglige virksomhet p\u00e5 seminaret. Boken om Thiis er et direkte resultat av dette seminaret tilbake i 2018, oppsummerer Kirkholt.<\/p>\n<p>&#8211; Det har ikke v\u00e6rt et m\u00e5l \u00e5 skrive en sammenhengende biografi om Thiis. Snarere har vi valgt \u00e5 hente fram enkeltaspekter som kan kaste lys over ulike sider av hans virke som kunsthistoriker og museumsdirekt\u00f8r. Artiklene gir inntrykk av at han var en relativt mangfoldig og kompleks fagperson, som det er vanskelig \u00e5 gi et enhetlig bilde av, sier <em>Morten Spj\u00f8tvold<\/em>.<\/p>\n<p>(Redigert pressemelding fra Museumsforlaget.)<\/p>\n<p>Bokas nettside: <a href=\"https:\/\/museumsforlaget.no\/produkt\/jens-thiis\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/museumsforlaget.no\/produkt\/jens-thiis\/&amp;source=gmail&amp;ust=1703080940378000&amp;usg=AOvVaw0t_HVejGK-zSZnTyh1vcof\"> https:\/\/museumsforlaget.no\/produkt\/jens-thiis\/<\/a><\/p>\n<p>Views: 133<\/p>","protected":false},"excerpt":{"rendered":"<p>(Publisert 19.12.23) Gjennom n\u00e6rmere femti \u00e5r var Jens Thiis (1870\u20131942) en markant skikkelse i det kunsthistoriske milj\u00f8et i Norge. Han ledet flere av landets fremste kultur-institusjoner &#8211; samtidig som han &#8230; <\/p>\n<p class=\"read-more-container\"><a title=\"Kunstens &laquo;dekorative prinsipp&raquo;\" class=\"read-more button\" href=\"https:\/\/lokalmagasinet.no\/?p=20738#more-20738\">Les mer<span class=\"screen-reader-text\">Kunstens &laquo;dekorative prinsipp&raquo;<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,77],"tags":[],"class_list":["post-20738","post","type-post","status-publish","format-standard","hentry","category-aktuelt","category-bokslipp"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Kunstens &quot;dekorative prinsipp&quot; | Lokalmagasinet.no<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lokalmagasinet.no\/?p=20738\" \/>\n<meta property=\"og:locale\" content=\"nn_NO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kunstens &quot;dekorative prinsipp&quot; | Lokalmagasinet.no\" \/>\n<meta property=\"og:description\" content=\"(Publisert 19.12.23) Gjennom n\u00e6rmere femti \u00e5r var Jens Thiis (1870\u20131942) en markant skikkelse i det kunsthistoriske milj\u00f8et i Norge. 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